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The series of twelve notes known as the twelve lü were simply a series of fundamental notes from which scales could be constructed." [ 8 ] However, "from the standpoint of tonal music [the chromatic scale] is not an independent scale, but derives from the diatonic scale," [ 2 ] making the Western chromatic scale a gamut of fundamental notes ...
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
There are 12 notes in the octave, and each of them can be the tonic of one major and one minor key. This gives 24 possible keys, but each note can be represented by several enharmonic note names (note names which designate the same actual note in the 12 note octave such as G# and A♭) and so each key can be represented by several enharmonic ...
Many music theorists concur that the constituent intervals of a scale have a large role in the cognitive perception of its sonority, or tonal character. "The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality."
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale (total chromatic). Alternately it is the free alteration of the other notes in a mode once its tonic has been established. [1]
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Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient