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Rose of Sharon" is a sacred choral anthem composed by William Billings. It was first published in The Singing Master's Assistant (1778) as An Anthem, Solomons Songs, Chap 2 , [ 1 ] and was subsequently published in many early American tunebooks, including The Southern Harmony and The Sacred Harp .
Aunt Alexandra decides to leave her husband at the Finch family homestead, Finch's Landing, to come to stay with Atticus. Aunt Alexandra doesn't consider the black Calpurnia to be a good motherly figure for Jem and Scout; she disapproves of Scout being a tomboy. She encourages Scout to act more ladylike; wanting to make Scout into a southern ...
Scout's Aunt Alexandra attributes Maycomb's inhabitants' faults and advantages to genealogy (families that have gambling streaks and drinking streaks), [58] and the narrator sets the action and characters amid a finely detailed background of the Finch family history and the history of Maycomb. This regionalist theme is further reflected in ...
Rose of Sharon (in Hebrew: חֲבַצֶּלֶת הַשָּׁרוֹן) is a biblical expression, though the identity of the plant referred to is unclear and is disputed among biblical scholars. It has become a common name for several species of flowering plants that are valued in different parts of the world.
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The band recorded more than 25 songs with Paul Epworth at The Church Studios, and were intent on keeping the "collaborative spirit" of their live shows and 2016 EP Johannesburg. [2] Marcus Mumford has said that much of the album was recorded in "non-gender specific Friday night lads sessions" with friends where they would play music, "smoke ...
Rose of Cimarron is the sobriquet given in American frontier lore to Rose Dunn, who at age 15 was romantically involved and an accomplice with the outlaw George Newcomb. Rusty Young learned of Dunn through a brochure he chanced upon while in Oklahoma during Poco's 1973 tour.
Detail of the Queen Alexandra Memorial, situated opposite St James's Palace in London. Queen Alexandra's Memorial Ode, otherwise known as "So many true Princesses who have gone", is an ode written by John Masefield and set to music for choir and orchestra by Sir Edward Elgar for the occasion of the unveiling of Sir Alfred Gilbert's memorial to Queen Alexandra on 8 June 1932 [1] outside ...