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Mary Queen of Scots wears an open French collar with an attached ruff under a black gown with a flared collar and white lining. Her black hat with a feather is decorated with pearls and worn over a caul that covers her hair, 1560s. Unknown lady holding a pomander wears a black gown with puffed upper sleeves over a striped high-necked bodice or ...
Anne's gown is open at the front to reveal a figured silk kirtle beneath. The gowns have wide sleeves with turned-back cuffs lined in fur, 1508. Anne Stafford wears a black fur-lined gown with turned-back sleeves over a dark kirtle [13] She wears a soft sash at her waist and a sheer partlet over a square-necked chemise, c. 1535.
An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471.
The dark gown has short puffed sleeves and is worn over tight undersleeves and a pink petticoat trimmed with rows of braid at the hem. The lace-edged apron shows creases from starching and ironing, 1630. Portrait of an unknown woman wearing the informal English fashion of a brightly coloured bodice and petticoat without an overgown. Her bodice ...
Woman wearing a red hood on her head and a gown with vair-lined hanging sleeves or tippets. Illustration from the French Romance of Alexander, 1338–44. Italian fashion of this period features broad bands of embroidered or woven trim on the dress and around the sleeves. [31] Siena, c. 1340.
The new bridesmaid’s dress will join other items linked to Elizabeth and Philip’s 1947 wedding, including Hartnell’s original sketches, “meaning the original design sketch of the ...