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This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
Aesop (left) as depicted by Francis Barlow in the 1687 edition of Aesop's Fables with His Life.. Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE.
In the 1912 edition of Aesop's Fables, Arthur Rackham chose to picture the carefree frogs at play on their King Log, a much rarer subject among illustrators. [13] But the French artist Benjamin Rabier, having already illustrated a collection of La Fontaine's fables, subverted the whole subject in a later picture, Le Toboggan ('The sleigh-run ...
The story of the feud between the eagle and the beetle is one of Aesop's Fables and often referred to in Classical times. [1] It is numbered 3 in the Perry Index [2] and the episode became proverbial. Although different in detail, it can be compared to the fable of The Eagle and the Fox. In both cases the eagle believes itself safe from ...
These and the illustrations in books of fables had little scope for invention. The greatest diversity is in the type of vessel involved and over the centuries these have varied from a humble clay pot to elaborate Greek pitchers. [11] The fable was later set to music by Howard J. Buss as the fourth item in his "Fables from Aesop" (2002). [12]
Aesop (/ ˈ iː s ɒ p / EE-sop or / ˈ eɪ s ɒ p / AY-sop; Ancient Greek: Αἴσωπος, Aísōpos; c. 620–564 BCE; formerly rendered as Æsop) was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables.
The poem consists of 43 seven-lined stanzas of which the first twelve recount a meeting with Aesop in a dream and six stanzas at the end draw the moral; the expanded fable itself occupies stanzas 13–36. A political lesson of a different kind occurs in Francis Barlow's 1687 edition of the fables.
In the Latin versions of Walter of England, [5] Odo of Cheriton [6] and Heinrich Steinhöwel's Aesop, [7] for example, the word umbra is used. At that time it could mean both reflection and shadow, and it was the latter word that was preferred by William Caxton, who used Steinhöwel's as the basis of his own 1384 collection of the fables. [8]