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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Even in the famous 3.1 soliloquy, Hamlet gives voice to the conflict. When he asks if it is "nobler in the mind to suffer", [80] Cantor believes that Shakespeare is alluding to the Christian sense of suffering. When he presents the alternative, "to take arms against a sea of troubles", [81] Cantor takes this as an ancient formulation of goodness.
The title page of Hamlet Q2 (1604), the only early source for the speech. Hamlet exists in several early versions: the first quarto edition (Q1, 1603), the second quarto (Q2, 1604), and the First Folio (F, 1623). [b] Q1 and F do not contain this speech, although both include a form of The Closet Scene, so the 1604 Q2 is the only early source ...
Screen versions: Where there are numerous versions, there should be a separate article, eg. Macbeth on screen, which will allow fuller coverage. That should have a {main article} tag and a brief prose summary on the play's article, and a {main article} tag and a brief list summary at Shakespeare on screen.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
In Hamlet, Rosencrantz and Guildenstern always appear as a pair, except in editions following the First Folio text, where Guildenstern enters four lines after Rosencrantz in Act IV, Scene 3. [ 1 ] The two courtiers first appear in Act II , Scene 2, where they attempt to place themselves in the confidence of Prince Hamlet , their childhood friend.
An early film version of Hamlet is Sarah Bernhardt's five-minute film of the fencing scene, [249] which was produced in 1900. The film was an early attempt at combining sound and film; music and words were recorded on phonograph records, to be played along with the film. [250]
Hamlet has probably been analysed more than any other Shakespearean character, especially for his famous soliloquy which begins "To be or not to be; that is the question". [138] Unlike the introverted Hamlet, whose fatal flaw is hesitation, Othello and Lear are undone by hasty errors of judgement. [139]