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The Lancashire Witches is the only one of William Harrison Ainsworth's forty novels that has remained continuously in print since its first publication. [1] It was serialised in the Sunday Times newspaper in 1848; a book edition appeared the following year, published by Henry Colburn .
Pendle Hill from the northwest. On the right is the eastern edge of Longridge Fell, which is separated from Pendle Hill by the Ribble valley.. The accused witches lived in the area around Pendle Hill in Lancashire, a county which, at the end of the 16th century, was regarded by the authorities as a wild and lawless region: an area "fabled for its theft, violence and sexual laxity, where the ...
The Lancashire Witches and Teague O'Divelly, the Irish Priest (1682) Bury Fair (1689) The Amorous Bigot, with the second part of Teague O'Divelly (1690) The Scowerers (1691) The Volunteers, or Stockjobbers, published posthumously (1693)
Potts has been described as an "active and selective reporter"; [8] he omits significant details of court procedure in the early 17th-century English legal process, such as that all indictments were initially submitted to a grand jury, whose task was to decide whether there was a prima facie case against the accused before the prisoners were taken into the courtroom to be tried by the petty ...
An illustration of Ann Redferne and Chattox, two of the Pendle witches, from Ainsworth's novel The Lancashire Witches. The Pendle witch trials of 1612 associated Lancashire with witchcraft in the popular imagination: this was particularly so in the nineteenth century after William Ainsworth's celebrated historical novel The Lancashire Witches (1848).
The trial of the Samlesbury witches is perhaps one example of that trend; it has been described as "largely a piece of anti-Catholic propaganda", [6] and even as a show-trial, to demonstrate that Lancashire, considered at that time to be a wild and lawless region, was being purged not only of witches but also of "popish plotters" (i.e ...
The Late Lancashire Witches belongs to a subgenre of English Renaissance drama that exploited public interest in the scandalous subject of witchcraft. The most famous of these plays is Shakespeare's Macbeth (c. 1603–6), though Middleton's The Witch (c. 1609–16) and The Witch of Edmonton (1621) by Thomas Dekker, John Ford, and William Rowley, are other notable examples.
The Charge of the Goddess (or Charge of the Star Goddess) is an inspirational text often used in the neopagan religion of Wicca.The Charge of the Goddess is recited during most rituals in which the Wiccan priest/priestess is expected to represent, and/or embody, the Goddess within the sacred circle, and is often spoken by the High Priest/Priestess after the ritual of Drawing Down the Moon.