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Now & Then is the fifth studio album by the American music duo the Carpenters, released on May 1, 1973.It reached No. 2 on the Billboard Top LPs & Tape chart on July 21, 1973, [4] and ranked No. 20 on the Cash Box year-end pop albums chart. [5]
"That's Old Fashioned (That's the Way Love Should Be)" is a song released in 1962 by The Everly Brothers. The song spent 11 weeks on the Billboard Hot 100 chart, peaking at No. 9, [ 2 ] while reaching No. 4 on Billboard 's Easy Listening chart, [ 3 ] No. 6 in the Philippines , [ 4 ] and No. 18 on Canada 's CHUM Hit Parade . [ 5 ]
Perhaps the most iconic version of the song, other than the original Perry Como version, is the Carpenters’ recording on their 1984 LP release, An Old Fashioned Christmas. In 1987, the Muppets sang it in the ABC special, A Muppet Family Christmas. In 1992, Joe Pass recorded a jazz guitar instrumental cover for his holiday album, Six-String Santa.
"Lonesome Walls - lyrics by Du Bose Heyward from the 1939 stage adaptation of the novel Mamba's Daughters [15] "Long Ago (and Far Away)" - lyrics by Ira Gershwin - from the 1944 film Cover Girl - nominated for the Academy Award for Best Original Song [15] "Look for the Silver Lining" - lyrics by B.G. DeSylva - from the 1920 musical Sally [15]
"Goodbye to Love" is a song composed by Richard Carpenter and John Bettis. It was released by the Carpenters in 1972. On the Close to You: Remembering The Carpenters documentary, Tony Peluso stated that this was one of the first power ballads, if not the first, to have a fuzz guitar solo.
Old Time Rock and Roll" is a song written by George Jackson and Thomas E. Jones III, with uncredited lyrics by Bob Seger. [1] [2] It was recorded by Seger for his tenth studio album Stranger in Town. It was also released as a single in 1979.
The song is written in drop D tuning, and is built primarily out of power chords based on the notes of a diminished triad. It also incorporates extensive use of guitar distortion, and the use of palm muting creates a highly rhythmic, driving style amplified by a heavy percussion track.
The album's lyric sheets also feature the songs' chord progressions, hand-written by guitar player Graham Coxon. [18] While Albarn explained that it was an attempt to "[let] people to know that, old-fashioned as it might seem, we write songs", [ 25 ] Total Guitar magazine attributed the inclusion of the chords to Coxon's "keen[ness] to ...