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"Second Fiddle (To an Old Guitar)" is a song written by Betty Amos that was originally recorded by American country singer Jean Shepard. It was released as a single by Capitol Records in 1964, reaching the top five of the US Country chart. The song featured Shepard yodeling and was her first top ten single in ten years.
The introduction beginning "To lead a better life" opens in the key of G and involves a I–iii– ♭ III–ii–V 7 chord progression. The ♭ III (B ♭ chord) on "I need my love to be here" (arpeggiated in the melody line) is a dissonant substitute for the more predictable VI (E 7) that would normally lead to the ii (Am) chord. [11]
IV-V-I-vi chord progression in C major: 4: Major ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW. See also.
Guitar tablature is used for acoustic and electric guitar (typically with 6 strings). A modified guitar tablature with four strings is used for bass guitar. Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites.
A distinction between archaic and obsolete words and word senses is widely used by dictionaries. An archaic word or sense is one that still has some current use but whose use has dwindled to a few specialized contexts, outside which it connotes old-fashioned language. In contrast, an obsolete word or sense is one that is no longer used at all.
"That's Old Fashioned (That's the Way Love Should Be)" is a song released in 1962 by The Everly Brothers. The song spent 11 weeks on the Billboard Hot 100 chart, peaking at No. 9, [ 2 ] while reaching No. 4 on Billboard 's Easy Listening chart, [ 3 ] No. 6 in the Philippines , [ 4 ] and No. 18 on Canada 's CHUM Hit Parade . [ 5 ]
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...