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At its native 24 FPS rate, film could not be displayed on 60 Hz video without the necessary pulldown process, often leading to "judder": to convert 24 frames per second into 60 frames per second, every odd frame is repeated, playing twice, while every even frame is tripled. This creates uneven motion, appearing stroboscopic.
576i is a standard-definition digital video mode, [1] ... which uses 3:2 pulldown to convert the 24 frames per second to the 30 fps frame rate, ...
AVCHD Lite cameras duplicate each frame of 25fps/30fps video acquired by camera sensor, [21] producing 720p50/720p60 bitstream compliant with AVCHD and Blu-ray Disc specifications. As of 2013, AVCHD Lite seems to have been all but replaced with other formats.
Shot on digital video in interlaced 50 fps. Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop: Hideaki Anno: Japanese: 60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps ...
Variable frame rate (or VFR) is a term in video compression for a feature supported by some container formats which allows for the frame rate to change actively during video playback, or to drop the idea of frame rate completely and set an individual timecode for each frame.
Below is a list of broadcast video formats. 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.