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Four Caprices for Violin Solo. Polish Caprice (1949) Johann Sebastian Bach. 3 Sonatas and 3 Partitas, for solo violin: Sonata No. 1 in G minor, BWV 1001. Partita No. 1 in B minor, BWV 1002. Sonata No. 2 in A minor, BWV 1003. Partita No. 2 in D minor, BWV 1004. Sonata No. 3 in C major, BWV 1005.
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...
Nimrod Borenstein. Concerto for Violin and Orchestra Op. 60 (2013) Hakon Børresen. Violin Concerto in G major, Op. 11 (1904) Henriette Bosmans. Concertstuk, for violin and orchestra (1934) Grave funebre, for violin and orchestra. Violin caprices 5 & 8, for violin and orchestra. Susan Botti.
The concerto has been recorded and played by a number of violinists, including Augustin Hadelich, Louis Kaufman, Ruggiero Ricci, Elmar Oliveira, Leonid Kogan, Anne Akiko Meyers, Joshua Bell, Giora Schmidt, James Ehnes, Hilary Hahn, Itzhak Perlman, Johan Dalene, Gil Shaham and Isaac Stern. The version made in 1964 by Stern with the New York ...
The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during ...
The Suzuki Method was conceived in the mid-20th century by Shinichi Suzuki, a Japanese violin salesman. Suzuki noticed that children pick up their native language quickly, whereas adults consider even dialects "difficult" to learn but are spoken with ease by children at age five or six. He reasoned that if children have the skill to acquire ...