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Simile. The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects."
A simile (/ ˈsɪməli /) is a figure of speech that directly compares two things. [1][2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
Metaphors are usually meant to create a likeness or an analogy. [2] Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. [3] One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from As You Like It:
978-0226468013. Metaphors We Live By is a book by George Lakoff and Mark Johnson published in 1980. [1][2] The book suggests metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.
Literature. This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in ...
Hopepunk describes works such as books, movies, and television shows, that reveal hope in the face of challenges and act as a counter to pessimism. [7] Scholar Elin Kelsey describes it as "a narrative of positive resistance" and contrasts it with noblebright , which takes as its premise that not only are there good fights worth fighting, but ...
[102] Hartman expands on this view to extend the view of death and nature to art in general: "Lucy, living, is clearly a guardian spirit, not of one place but of all English places … while Lucy, dead, has all nature for her monument. The series is a deeply humanized version of the death of Pan, a lament on the decay of English natural feeling ...