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In 2016 New York Observer ranked the song No. 27 in their list of The 30 Best TV Theme Songs of All Time. [17] In 2017 Paste magazine ranked the song No. 38 in their list of The 50 Best TV Theme Songs of All Time. [18] In 2023 American Songwriter magazine ranked the song No. 2 in their list of The Top 10 TV Theme Songs from the 2000s and 2010s ...
After the war, he operated a grocery store in South Carolina and played jazz and country music at night. In 1948, he heard that Bill Monroe needed a banjo player after Earl Scruggs had left, so he drove to Taylorsville, North Carolina, where he got onstage without invitation and played banjo with Bill Monroe and the Blue Grass Boys. He stayed ...
A Song for Everyone (1966) Bluegrass Gospel Favorites (1967) — with Benny Martin; reissued on CD as Gospel Songs from Cabin Creek; Don Reno & His Tennessee Cut-Ups (1966) Rural Rhythm Presents Don Reno & Bill Harrell with the Tennessee Cut-Ups (1967) A Variety of New Sacred Gospel Songs (1968) The Sensational Twin Banjos of Eddie Adcock and ...
"Delete Forever" is an "earnest and heartbreaking" [2] and "folkily melodic" [3] acoustic ballad, which employs a banjo, strings, "incredibly clean" acoustic guitar, electronic drums and bass. [ 4 ] [ 5 ] In an interview with Zane Lowe for Apple Music's Beats 1, Grimes described "Delete Forever" as a "pretty bummer song [...] about the opioid ...
The album was conceived as a spin-off project inspired by on-set conversations between filmmaker Zombie and actor Lew Temple, who portrayed 'Adam Banjo' in the film. [2] Soon after, Temple's long-time friend, Jesse Dayton (an Austin, Texas-based alt-country musician and songwriter) was approached to helm the project as producer and bandleader ...
Show Me the Body (commonly abbreviated as SMTB) is an American post-hardcore [1] band from New York City, formed in 2009.They have released three full-length albums, each drawing influence from genres such as hip hop, noise music [2] and sludge metal. [3]
Built on a banjo riff, "Our Song" is a country-music track featuring a fiddle solo in the break. [ 28 ] [ 29 ] [ 30 ] The musicologist James E. Perone noted that the production conveyed the conversational lyrics by employing repeated pitches in the lower register of Swift's vocals in the verses, where she sings at one pitch for a sustained ...
His eye-rolling song-and-dance routines eventually led to his nickname "Banjo Eyes". In 1933, artist Frederick J. Garner caricatured Cantor with large round eyes resembling the drum-like pot of a banjo. Cantor's eyes became his trademark, often exaggerated in illustrations, and leading to his appearance on Broadway in the musical Banjo Eyes (1941).