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Similar to five-string bass guitar tuning, seven-string tuning allows for the extra string a fourth lower than the original sixth string. This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down.
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...
Raises the pitch of a note by one quarter tone. Sharp-and-a-half (sesquisharp) Raises the pitch of a note by three quarter tones. Occasionally represented with two vertical and three diagonal bars instead. Harmonic flat Lowers the pitch of a note to a pitch matching the indicated number in the harmonic series of the root (bottom) of the chord.
For example, in the open-G overtones tuning G–G–D–G–B–D, the (G,B) interval is a major third, and of course each successive pair of notes on the G- and B-strings is also a major third; similarly, the open-string minor-third (B,D) induces minor thirds among all the frets of the B-D strings.
Extended chords add further notes to seventh chords. Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ... Major seventh sharp eleventh chord: Play ...
Letter notation is the most common way of indicating chords for accompaniment, such as guitar chords, for example B ♭ 7. The bass note may be specified after a /, for example C/G is a C major chord with a G bass. Where a capo is indicated, there is little standardisation.
Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).