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The triptych was sold by Marlborough Fine Art to the Norwegian industrialist and art collector Hans Rasmus Astrup in 1984. It was displayed at the Astrup Fearnley Museum of Modern Art in Oslo from its foundation in 1993, until it was deaccessioned and sold in 2020, to put the museum on a stronger financial basis and to enable it to make new acquisitions to diversify its collection.
Museo del Prado, Madrid The Aino Myth, the Kalevala based triptych painted by Akseli Gallen-Kallela in 1891. Ateneum , Helsinki A triptych ( / ˈ t r ɪ p t ɪ k / TRIP -tik ) is a work of art (usually a panel painting ) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open.
James Francis Gill (born 1934) is an American artist and one of the protagonists of the Pop art movement. [1]In 1962, the Museum of Modern Art included his Marilyn Tryptych [2] into its permanent collection. [3]
In a cave to their lower right, a male figure points towards a reclining female who is also covered in hair. The pointing man is the only clothed figure in the panel, and as Fraenger observes, "he is clothed with emphatic austerity right up to his throat." [34] In addition, he is one of the few human figures with dark hair. According to Fraenger:
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides—or Furies—of Aeschylus's Oresteia, and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
The Bladelin Altarpiece, or Middelburg Altarpiece, is a triptych painting created around 1450 by the Early Netherlandish painter Rogier van der Weyden, towards the end of his artistic career.
Second Version of Triptych 1944 is a 1988 triptych painted by the Irish-born artist Francis Bacon. It is a reworking of Three Studies for Figures at the Base of a Crucifixion , 1944, Bacon's most widely known triptych, and the one which established his reputation as one of England's foremost post-war painters.
The bedroom setting is appropriate, since the triptych depicts the moment her marriage to God is consummated. The flowers behind her are traditional symbols for Mary: lilies for her purity and columbine for her sorrow. The wings of the triptych contain an array of saints in verdant landscapes.