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The Sad Clown Paradox is the concept that someone who looks happy on the outside is actually sad inside. A clown is usually associated with this paradox since clowns are usually seen as a happy figure, but this painting is also a representation of it, since Stańczyk is a jester, whose job is to entertain, yet he is shown in a moment of ...
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.
The Fallen Angel (French: L'Ange déchu) is a painting by French artist Alexandre Cabanel. It was painted in 1847, when the artist was 24 years old, and depicts the Devil after his fall from Heaven. [1] The painting is at the Musée Fabre in Montpellier. [2]
However, unlike the “accidental Renaissance” photos, the actual paintings of the era would take several years to make. For example, Leonardo da Vinci’s The Last Supper took three years to ...
Ivan the Terrible and His Son Ivan on 16 November 1581 [a] is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after Ivan the Terrible had dealt a fatal blow to his son's head in a fit of anger.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
An Old Man and his Grandson (Italian: Ritratto di vecchio con nipote) is a ca. 1490 tempera painting by the Italian Renaissance artist Domenico Ghirlandaio. One of Ghirlandaio's best-known works, it is considered notable for its emotional poignancy. Its realism has been described as unique among the portraits of the Quattrocento. [1]
The museum's collection includes more than 400 European paintings produced before 1900, and reflects Getty's affinity for Italian Renaissance and 17th-century Dutch and Flemish paintings ...