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The collection consisted of a ring, a pendant necklace and a bracelet that was worth a lot more than she expected. The appraiser said, "The ring with the fine ruby and the very very white diamonds ...
The Napoleon Diamond Necklace is somewhat atypical of other contemporary works produced by Marie-Étienne Nitot. [1] Other pieces commissioned from him by Emperor Napoleon, such as the two parures celebrating the Emperor's marriage to Archduchess Marie Louise of Austria, the Marie Louise Diadem, the wedding jewels for Empress Joséphine, etc., all demonstrate a predilection for highly ...
Eventually, the New York-based jewelry firm Van Cleef & Arpels purchased the Marie Louise Diadem and its matching belt buckle from the family in 1953, accepting the signed affidavit of both Alice and Karl Stefan attesting to the jewels' long history within the family and the claimed original provenance. The remaining pieces of the parure were ...
Karl XIV Johan established a fideicommissum of jewels that would be at the queen's disposal, so that the collection would increase but could never decrease. At the end of the 19th century, Oscar II transformed the fideicommissum into a foundation, now part of the Bernadotte family foundation.
The tiara was originally a necklace belonging to Louise of Belgium, Princess of Saxe-Coburg and Gotha in 1858. The Queen bought the necklace which was converted into a tiara in 1963 to add to her collection. [52] [50] She has paired the tiara with George VI Sapphire Parure which was seen multiple times on the state tours in the 60s and 70s.
In 1896 the Firm of van Kempen & Begeer wrote about resetting the jewels of the Crown ("juweelen der kroon"). Queen Juliana gave a selection of her formal jewelry to the new Foundation Regalia of the House of Orange-Nassau, instituted on 27 July 1963. In 1968 a Foundation "Kroongoederen van het Huis van Oranje-Nassau" was instituted.