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In the essay, he talks about how the Metz speech "typically, made no sense whatever". "Even the French couldn't understand it, despite a translation", Dick writes. "Something goes haywire in my brain when I write speeches; I think I imagine I'm a reincarnation of Zoroaster bringing news of God. So I try to make as few speeches as possible." [16]
Antanaclasis – a figure of speech involving a pun, consisting of the repeated use of the same word, each time with different meanings. Anticlimax – a bathetic collapse from an elevated subject to a mundane or vulgar one. Antimetabole – repetition of two words or short phrases, but in reversed order to establish a contrast.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
Gregory the Great: He that thinks he ought to do to another as he expects that others will do to him, considers verily how he may return good things for bad, and better things for good. [4] Chrysostom: Whence what we ought to do is clear, as in our own cases we all know what is proper, and so we cannot take refuge in our ignorance. [4]
Martin Luther King Jr. at the podium on the steps of the Lincoln Memorial in August 1963. The sermons and speeches of Martin Luther King Jr., comprise an extensive catalog of American writing and oratory – some of which are internationally well-known, while others remain unheralded and await rediscovery.
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
Shakespeare and the Bible Philadelphia: Claxton, Remsen & Haffelfinger, 1876. Seiss, J. A. “The influence of the Bible on literature” The Evangelical Review 27, Jul 1853, 1–17. [parallels in Portia's speech on ‘the quality of mercy’] Selkirk, James Brown.