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Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
The Apollonian and Dionysian is a two-fold philosophical concept based on two figures in ancient Greek mythology, Apollo and Dionysus. This relationship takes the form of a dialectic. [133] Even though the concept is related to The Birth of Tragedy, the poet Hölderlin had already spoken of it, and Winckelmann had talked of Bacchus.
Dionysos-Dithyramben, written 1888, published 1892 (Dionysian-Dithyrambs) in: The Case of Wagner / Twilight of the Idols / The Antichrist / Ecce Homo / Dionysus Dithyrambs / Nietzsche Contra Wagner, The Complete Works of Friedrich Nietzsche, Volume 9, trans. Adrian Del Caro and others. Stanford University Press, 2021.
This is a bibliography of works about 19th-century philosopher Friedrich Nietzsche.. There have been many bibliographies documenting works about Nietzsche, the most comprehensive is considered to be the Weimarer Nietzsche-Bibliographie published between 2000 and 2002, listing over 20,000 items from 1867 to 1998, volume 1 consisting of Nietzsche's own works and translations in 42 languages ...
Two new studies suggest once again the importance of getting a good night's sleep for good health over a lifetime, as scientists pursue new understandings of restorative deep sleep.
Friedrich Nietzsche at the end of the 19th century highlighted the contrast between the two main elements of tragedy: firstly, the Dionysian (the passion that overwhelms the character) and the Apollonian (the purely pictorial imagery of the theatrical spectacle). [26]
illustration of sea salt with arrow pointing at nori (seaweed) flakes. (TODAY Illustration / Getty Images)