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High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
Mummy portrait of a girl, AD 120–150, Roman Egypt, wax encaustic painting on sycamore wood. Encaustic is a method of painting that involves dry pigments mixed with hot beeswax, then applied to the surface of a support such as wood or canvas. A completed painting is then finished by taking a source of heat to reheat the surface and fuse it ...
[7] In 2005, Ed Hoffman argued for the work being a copy, perhaps ordered by Philip II of Spain after the original had been damaged. In his view, the amateurish style, the plump figures, the lack of white highlights and the fact that the wooden panel is not oak but poplar (which can't be dated with dendrochronology).
Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1]The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
Wood stain is a type of paint used to colour wood comprising colourants dissolved and/or suspended in a vehicle or solvent. Pigments and/or dyes are largely used as colourants in most stains. The initial application of any paint or varnish is absorbed into the substrate similarly to stains, but the binder from a stain resides mainly below the ...
The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.