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Night Flight is an online visual-arts magazine and variety television show that originated on cable TV network USA Network. It originally aired from 1981 to 1988 before moving to syndication in the early 1990s.
Night Flight, published as Vol de nuit in 1931, was the second novel by French writer and aviator Antoine de Saint-Exupéry. It went on to become an international bestseller and a film based on it appeared in 1933. [ 1 ]
Night Flight, a South Korean film; Night Flight, a television program on the USA Network, first airing in 1981; Night Flight (night club), a Moscow strip club; Nightflight (Transformers), a member of the Micromasters; Night Flight (radio broadcasting), a former radio broadcasting series on BFBS Germany by Alan Bangs from 1975 to 1989
Night Flight (also known as Dark to Dawn) is a 1933 American pre-Code aviation drama film produced by David O. Selznick, distributed by Metro-Goldwyn-Mayer, directed by Clarence Brown and starring John Barrymore, Lionel Barrymore, Clark Gable, Helen Hayes, Robert Montgomery and Myrna Loy.
Night Flight Plus is a video-on-demand service offering original episodes of the 1980s USA Network TV show Night Flight.In addition to archived episodes of the show, the service features films in the music documentary, concert, horror and cult genres. [1]
Night Flight (Korean: 야간비행; RR: Yaganbihaeng) is a 2014 South Korean drama film written, directed and edited by Leesong Hee-il. [1] [2] It made its world premiere in the Panorama section of the 64th Berlin International Film Festival on February 7, 2014, and was released in theaters in South Korea on August 28, 2014.
Volo di notte (Night Flight) is a one-act opera composed by Luigi Dallapiccola to an Italian libretto he wrote based on the novel Vol de nuit by Antoine de Saint-Exupéry. It was first performed at the Teatro della Pergola in Florence on May 18, 1940. [1] The opera emphasizes individual suffering and was written as a response to the rise of ...
According to The New York Times 's John Rockwell, Night Flight "sounds more confident and appealing than her previous work". [3] In another review, Rockwell stated Elliman "has a lovely, smoky soprano, she phrases with conviction in both ballads and up‐tempo numbers, and she is decidedly alluring to look at".