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Pattern picking is the use of "preset right-hand pattern[s]" while fingerpicking, with the left hand fingering standard chords. [15] The most common pattern, sometimes broadly referred to as Travis picking after Merle Travis, and popularized by Chet Atkins, Scotty Moore, James Burton, Marcel Dadi, James Taylor, [16] John Prine, Colter Wall and ...
Doyle Dykes (born May 23, 1954) is an American country acoustic guitarist from Jacksonville, Florida.Cited along with guitarists such as Tommy Emmanuel as one of the best fingerstyle guitarists in the world, [1] [2] he is also known for his capability of playing proficiently with a wide range of different guitar tunings.
Arnold Shultz (1886 – 1931) was an American fiddler and guitarist who is noted as a major influence in the development of the "thumb-style," or "Travis picking" method of playing guitar. [ 1 ] Biography
Playing on heavier gauge strings can damage un-coated nails: finger picking is more suited to nylon strings or lighter gauge steel strings (this does not apply to fingerpicks). Using a pick can significantly reduce damage to fingers when playing for long periods of time on a steel string guitar. Some styles of music are easier to play with a pick.
Merle Travis Unreleased Radio Transcriptions 1944–1949: Country Routes 1994 Guitar Rags and a Too Fast Past (5 CD-Set) Bear Family 1995 Country Hoedown Shows & Films: Country Routes Unissued Radio Shows (1944–1948) 1998 Turn Your Radio On (1944–1965) 2002 The Very Best of Merle Travis: Varèse Sarabande 2003 Boogie Woogie Cowboy 1944–1956
The Merle Travis Guitar is the second album by Merle Travis and his first instrumental album. It was recorded in 1955 and released on January 1, 1956 by Capitol Records . Together with another Capitol release of the previous year, Back Home , it introduced the style of guitar playing that came to be known as Travis picking to a wide public of ...
Sweep picking is a guitar-playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired ...
This minimizes movement in the picking hand, and avoids the motion of "jumping" over a string prior to picking it, as often occurs in alternate-picking when changing strings. Thus the picking pattern of an ascending three-note-per-string scale would be: D-U-D-D-U-D-D-U-D, and the descending pattern would start just like alternate picking (up ...