Ads
related to: christmas concerto strings sheet music organ part
Search results
Results From The WOW.Com Content Network
Concerto grosso in G minor, Op. 6, No. 8 by Arcangelo Corelli, known commonly as the Christmas Concerto, was commissioned by Cardinal Pietro Ottoboni and published posthumously in 1714 as part of Corelli's Twelve concerti grossi, Op. 6. The concerto bears the inscription Fatto per la notte di Natale ("made for the night of Christmas"). Its ...
The Oratorio de Noël, Op. 12, by Camille Saint-Saëns, also known as his Christmas Oratorio, is a cantata-like work scored for soloists, chorus, organ, strings and harp. While an organist at La Madeleine , Saint-Saëns wrote the Christmas oratorio in less than a fortnight, completing it ten days before its premiere on Christmas 1858. [ 1 ]
6 Favourite Concertos for harpsichord, piano, or organ (late 18th century) Malcolm Arnold. Concerto for Piano Duet and Strings, Op. 32 (1951) Concerto for Phyllis and Cyril, Op. 104 (1969), for 3 hands at 2 pianos (one pianist plays with both hands, the other with only one hand) Fantasy on a Theme of John Field, Op. 116; Alexander Arutiunian
Their publication – decades after their composition and after Italian composers had moved to favor the ritornello concerto form associated with Vivaldi – caused waves of concerto grosso writing in Germany and England, where in 1739 George Frideric Handel honored Corelli directly with his own "Opus 6" collection of twelve.
Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra (1767) Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra (1766) Haynes, Battison. Organ Sonata in D minor, op. 11 (1883) Hindemith, Paul. Kammermusik No. 7 for organ and chamber orchestra, Op. 46, No. 2 (1927) Organ Sonata No. 1 ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...