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Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Titian: Year: 1538: Medium: oil on canvas: ... Portrait of Eleonora Gonzaga della Rovere is a 1538 painting by Titian, [1] ... to the one in the Venus of Urbino and ...
Portrait of Francesco Maria della Rovere is an oil on canvas painting by Titian, from 1536-1538. It depicts Francesco Maria I della Rovere, Duke of Urbino. It is held now in the Uffizi, in Florence. Signed TITIANVS F.[ECIT], it forms a pair with the same artist's Portrait of Eleonora Gonzaga della Rovere, Francesco's wife, also in the Uffizi. [1]
Titian's reclining Venus of Urbino (1538), with a lapdog on the right, balancing the face on the left, is an erotic work. Although pre-figured by the Sleeping Venus (completed by Titian after Giorgione's death in 1510) Titian is credited with establishing the reclining female nude as an important subgenre in art.
Girl in a Fur is an oil on canvas painting by Titian, from 1536-1538. It is held in the Kunsthistorisches Museum , in Vienna . It depicts the same female model that he used in La Bella and Venus of Urbino .
Titian's Venus of Urbino, c. 1534, Uffizi, largely the same pose in reverse Venus and Cupid with Dog and Partridge, mostly Titian's workshop, c. 1555, Uffizi. The painting is the final development of Titian's compositions with a reclining female nude in the Venetian style.
March 1538: commissioned by Guidobaldo II della Rovere ; References: The Most Famous Paintings of the World, 13 ; The complete paintings of Titian, 190; Venus of Urbino, Web Gallery of Art (English) Artsy artwork ID: titian-venus-of-urbino-1 ; RKDimages ID: 297545 ; HA! artwork ID: venus-de-urbino ; Florentine musea Inventario 1890 ID: 1437
Around 1560, [37] Titian painted the oil on canvas Madonna and Child with Saints Luke and Catherine of Alexandria, a derivative on the motif of Madonna and Child. It is suggested that members of Titian's Venice workshop probably painted the curtain and Luke, because of the lower quality of those parts. [38] Pietà, c. 1576, his last painting.