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A fine fan shaped ivory comb with red, gold and black hand-painted decoration, gifted to Lady MacDonald in 1898 AD at Peking by the Dowager Empress, Cixi.. Shubi (Chinese: 梳篦), also called as zhi (Chinese: 栉), is a generic term used for Chinese combs in China, which includes thick-teeth comb shu (Chinese: 梳) and thin-teeth comb bi (Chinese: 篦).
A beater or batten, is a weaving tool designed to push the weft yarn securely into place. In small hand weaving such as Inkle weaving and tablet weaving the beater may be combined with the shuttle into a single tool. In rigid heddle looms the beater is combined with the heddles.
Navajo weaving (Navajo: diyogí) are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy.
Weaving a tapestry on a vertical loom in Konya, Turkey A Turkish carpet loom showing warp threads wrapped around the warp beam, above, and the fell being wrapped onto the cloth beam below. A simple handheld frame loom. Weaving is done on two sets of threads or yarns, which cross one another.
Weaving on a floor loom, using a beater that swings, suspended on a heavy wood frame. A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. [1] It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place.
Warp and weft in plain weaving A satin weave, common for silk, in which each warp thread floats over 15 weft threads A 3/1 twill, as used in denim. Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.
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Tnalak (also spelled tenalak), is a weaving tradition using resist-dyed threads of the Tboli people of South Cotabato, Philippines. [1] T'nalak cloth is woven exclusively by women who have received the designs for the weave in their dreams, which they believe are a gift from Fu Dalu, the T'boli Goddess of abacá. [1]