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This film was Sokurov's first feature at Lenfilm.It was roughly based on a short story by the contemporary Soviet writer, Grigory Baklanov.Baklanov asked that his name be removed from the credits because the only motif that was adopted from Baklanov's work was the scene of the transitional period from power to subordinance.
Xing Li, a software developer from Alhambra, California, created FanFiction.Net in 1998. [3] Initially made by Xing Li as a school project, the site was created as a not-for-profit repository for fan-created stories that revolved around characters from popular literature, films, television, anime, and video games. [4]
Here Sokurov already began to approach his main theme - the tragic separation between the body and the soul. In his diary, Sokurov noted that in Platonov, he saw the "story of a 'weak heart', for which happiness was 'hard work'." Love and ongoing life are eternal, but unachievable, dreams for the characters. [2]
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For the film, Sokurov, as often, selected a single motif from the work of inspiration – in this case, it was the sickness of a woman. It was produced as the graduation work of S. Sidorov from the VGIK. At that time Sokurov was not allowed to work on his own films, and saw this as an opportunity to continue work in the field.
Faust (Russian: Фауст) is a 2011 Russian film directed by Alexander Sokurov. Set in the 19th century, it is a free interpretation of the Faust legend and its respective literary adaptations by both Johann Wolfgang von Goethe as well as Thomas Mann. The dialogue is in German.
Napoleon Solo is a fictional character from the 1960s TV spy series The Man from U.N.C.L.E. The series format was notable for pairing the American Solo, played by Robert Vaughn, and the Russian Illya Kuryakin, played by David McCallum, as two spies who work together for an international espionage organisation at the height of the Cold War.
The film's plot is based on the novel Oblomov (Russian: Обломов), written by Ivan Goncharov, which tells the story of Ilya Ilyich Oblomov, a middle-aged nobleman living in 19th-century Saint Petersburg. This central character exemplifies the superfluous man concept found in 19th-century Russian literature. [2]