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Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature.
The social taunter [non sequitur] has many roles, as has been stated by Thalia Phillies Feldman in her article, "The Taunter in Ancient Epic: The Iliad, Odyssey, Aeneid, and Beowulf". In a society of kings and warriors, the social taunter acts as the spokesman of the court, revealer of truths, means of social control, and provocateur.
Penthesilea the Amazon, and her fighters (489–493) Another significant ekphrasis in the Aeneid appears on the baldric of Pallas (Aeneid X.495-505). The baldric is decorated with the murder of the sons of Aegyptus by their cousins, the Danaïds, a tale dramatized by Aeschylus. Pallas is killed by the warrior Turnus, who plunders and wears the ...
Beowulf is an epic poem in Old English, telling the story of its eponymous pagan hero.He becomes King of the Geats after ridding Heorot, the hall of the Danish king Hrothgar, of the monster Grendel, [a] who was ravaging the land; he dies saving his people from a dragon.
The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen eight-line stanzas on the same theme; several of the stanzas, including the first and the last, are almost identical with the first version.
The poem deals with the heroic exploits of the Geat warrior Beowulf, who battles three antagonists: Grendel, Grendel's mother and, later in life, an unnamed dragon. Gardner's retelling, however, presents the story from the existentialist view of Grendel, exploring the history of the characters before Beowulf arrives. Beowulf himself plays a ...
In addition to her book and the Beowulf articles, Brady published a number of other works during her career. She also presented several papers, including some which ultimately went unpublished, at academic conferences—notably at meetings of the Philological Association of the Pacific Coast [ 85 ] [ 41 ] and the Modern Language Association .
Muse, remember to me the causes – Aeneid 1.8 Sing Heav'nly Muse, that on the secret top of Oreb, or of Sinai, didst inspire – Paradise Lost 1.6–7. An alternative or complementary form of proem, found in Virgil and his imitators, opens with the performative verb "I sing". Examples: I sing arms and the man – Aeneid 1.1