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From 1919 to 1921 Yon was substitute organist at the Vatican's Cappella Giulia. [2] On January 1, 1922 Pope Benedict XV appointed Yon 'Titular Organist' of the Vatican, a singular and unprecedented honor. The appointment put pressure on New York church authorities to promote Yon to a more-prestigious position. Yon became an American citizen in ...
Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917. The melody was used by Frederick H. Martens in his English language carol "When Blossoms Flowered 'mid the Snows". The melody and lyrics of the chorus are derived from the chorus of "Adeste Fideles" (O Come All Ye Faithful).
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Ach Gott, vom Himmel sieh darein, BWV 2; Ach Gott, wie manches Herzeleid, BWV 3; Ach Gott, wie manches Herzeleid, BWV 58; Ach Herr, mich armen Sünder, BWV 135; Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162; Ach wie flüchtig, ach wie nichtig, BWV 26; Ach, lieben Christen, seid getrost, BWV 114; Achille et Polyxène; Aci, Galatea e ...
The Bambino Gesù di Praga via Arenzano (lit. ' Child Jesus of Prague in Arenzano ') is a Roman Catholic image of the Child Jesus venerated by the Genoese faithful. [1]The image takes its iconography from a painting of Infant Jesus of Prague which was brought by the Carmelite Order who wanted to propagate its devotion in the area.
Bach composed a four-part setting with independent orchestral accompaniment of two stanzas of the hymn Jesu, meiner Seelen Wonne, which had been written by Martin Janus in 1661 and was commonly sung to a Johann Schop melody, Werde munter, mein Gemüthe.
Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass; Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns; Three trios in G major, E-flat major and C major for 2 Oboes and bassoon; Armonia per un tempio della notte in E-flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (ca. 1795)
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.