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Queen Caroline, on the other hand, had a great deal of valuable jewellery, including no fewer than four pearl necklaces. She wore all the pearl necklaces to her coronation in 1727, but afterwards had the 50 best pearls selected to make one large necklace. In 1947, both necklaces were given to Elizabeth by her father as a wedding present.
In Assyria, men and women both wore extensive amounts of jewellery, including amulets, ankle bracelets, heavy multi-strand necklaces, and cylinder seals. [39] Jewellery in Mesopotamia tended to be manufactured from thin metal leaf and was set with large numbers of brightly coloured stones (chiefly agate, lapis, carnelian, and jasper).
1870–1910: The Edwardian era saw a resurgence of pearl necklaces, in addition to a dog-collar style of necklace made of gold or platinum with inset diamonds, emeralds, or rubies. [4] The Art Nouveau movement inspired symbolic, abstract designs with natural and animal motifs. [6]
Woman with a Pearl Necklace by Johannes Vermeer is a Dutch Golden Age painting of about 1664. Painted in oils on canvas, Johannes Vermeer portrayed a young Dutch woman, most likely of upper-class descent, dressing herself with two yellow ribbons, pearl earrings, and a pearl necklace.
Throughout the Pacific, some jewellery pieces are more common than others. For example, necklaces, earrings and headdresses of different sorts are all very common items used by Polynesians to adorn themselves. Some pieces, such as the wearing of masks, are only apparent in certain areas, such as Micronesia and with the aborigines of Australia.
Queen Mary purchased a five-strand natural pearl necklace with a diamond-set Art Deco clasp in 1948, as a gift for Princess Margaret’s 18th birthday. The necklace featured in many iconic portraits by Sir Cecil Beaton. [7]