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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
Silver mirroring, or "silvering", is a degradation process of old black-and white-photographic prints caused by conversion of the black silver oxide to silver metal. This results in a slightly bluish, reflective patch in the darkest part of a print or negative when examined in raking light. It often indicates improper storage of the prints. [3]
Art photography print types refers to the process and paper of how the photograph is printed and developed. C-Print / Chromogenic Print: A C-Print is the traditional way of printing using negatives or slides, an enlarger, and photographic paper—through a process of exposure and emulsive chemical layers. Chromogenic color prints are composed ...
Hand-colouring with watercolours requires the use of a medium to prevent the colours from drying with a dull and lifeless finish. Before the paint can be applied, the surface of the print must be primed so that the colours are not repelled. This often includes prepping the print with a thin coating of shellac, then adding grit before colouring ...
Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued) Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued) Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
The gelatin silver print is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image.
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