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A canon (Greek: κανών, romanized: kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes , based on the Biblical canticles . Most of these are found in the Old Testament , but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament .
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Johann Sebastian Bach in 1746, holding his canon triplex a 6 voci, BWV 1076.Oil painting by Elias Gottlob Haussmann.. The Canonic Variations on "Vom Himmel hoch da komm' ich her" ("From Heaven above to Earth I come"), BWV 769, are a set of five variations in canon for organ with two manuals and pedals by Johann Sebastian Bach on the Christmas hymn by Martin Luther of the same name.
Z 109, Canon, "Miserere mei" – Canon 4 in 2 (published 1687) Z 120 , Chant in A minor (Unknown) – [Z 120 through Z 125 are of doubtful provenance] Z 121 , Chant in G major (Unknown)
The canon is also restricted to the highest voice, and the pitch interval between the voices is fixed while the temporal interval varies between one and three breves depending on the mensuration. The two free voices generally do not participate in the imitation. [ 2 ]
Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
A Romanian Orthodox Horologion opened to the Katabasiae of the Nativity of the Lord.. Katabasia or Katavasia (Greek καταβασία, from καταβαίον, "descend") is a type of hymn, and the last troparion of an ode of a canon, chanted in the Eastern Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite.
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]