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Black gospel music traces its roots back to slavery when enslaved people sang call-and-response songs such as “Roll, Jordan, Roll” and “Swing Low, Sweet Chariot.” These early folk songs ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Traditional black gospel [1] is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music.
Traditional gospel music is older forms of gospel music. Traditional black gospel, which originated among African-Americans in the early 20th century; Gospel blues, whose popularity peaked in the 1940s and 1950s; Southern gospel, also known as "white gospel" Bluegrass gospel, religious songs out of the bluegrass folk music traditions
Twinkie Clark, chief executive writer, and arranger for the American gospel group The Clark Sisters is widely credited as the originator of the classic shout sound in contemporary gospel music. [3] In its most standard form, shout music is characterized by very fast tempo , chromatic basslines and piano / organ chords , snare hits and hand ...
[5] [6] Her Grammy Award nomination came at the 30th Grammy Awards ceremony in 1988, for the Best Gospel Vocal Performance, Female of the song, "Count It All Joy". It was also nominated for the Contemporary Black Gospel Album, at the 19th GMA Dove Awards, in 1988. [4] The third studio album, Morning Light, was released in 1989 by Frontline ...