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Samba-canção (Portuguese pronunciation: [ˈsɐ̃bɐ kɐ̃ˈsɐ̃w]; literally 'song samba') is, in its most common acceptance or interpretation, the denomination for a kind of Brazilian popular songs with a slow-paced samba rhythm.
Samba (Portuguese pronunciation: ⓘ) is a name or prefix used for several rhythmic variants, such as samba urbano carioca (urban Carioca samba), [1] [2] samba de roda (sometimes also called rural samba), [3] amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
The Samba de Roda is a celebratory event incorporating music, choreography and poetry. The term "Samba" encompassed many different rhythms, tunes, drumming and dances of various periods and areas of the Brazilian territory. It appeared in the state of Bahia, more specifically in the region of Recôncavo in Brazil, during the 17th century.
The rodas are always lively and full of high spirits and in them, the women show all their sensuality in a graceful way. Samba de roda usually starts after the capoeira rodas have finished. [16] Banguela de Regional - This is a beat created by Mestre Bimba to mimic the "Capoeira Angola" style. These types of performances are over much slower ...
Pelo Telefone (English: On the Telephone) is a song attributed to the Brazilian guitarist and composer Donga and considered to be the first samba song to be recorded in Brazil, according to records at the National Library of Brazil, [3] [4] although earlier recordings exist, such as "Samba - Em Casa da Bahiana" (1913) [5] and "Urubu Malandro" (1914).
Batucada Suite performed by blue-eyed soul singer Teena Marie.Written by Teena Marie from the Album Emerald City.; The Obvious Child from Paul Simon's album The Rhythm of the Saints is an example of the sound of the samba-Afro style, exemplified by the Bahian samba reggae group Olodum.
Capoeira carioca was a street fighting version of capoeira that existed in Rio de Janeiro during the 19th century, used by gangs. In capoeira carioca, all available means were used, including various types of weapons, such as knives , straight razors , clubs and machetes .
By comparison, traditionally in Bahia the chula is the free form song text of the Samba de Roda sung between the dances (as in the samba parada) and defines the structures of the various other "styles" of samba de roda, while the samba corrido lasts as long as the singer feels like singing it before moving on to another.