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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Many popular sources claim that spirituals and other songs, such as "Steal Away" or "Follow the Drinkin' Gourd", contained coded information and helped individuals navigate the railroad, but these sources offer little traditional archival evidence to support their claims. Some scholars who have examined these claims tend to believe that while ...
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
The song was released on the extended play Negro Spirituals Vol. 1 (HMV 7EGN 27), and the song was arranged by Harry Douglas. American contralto Marian Anderson had her first successful recording with a version of the song on the Victor label in 1925. [7] Singer Lena Horne recorded a version of the song in 1946. [8]
Specifically, the text refers to the Old Testament account of the Prophet Elijah's ascent into Heaven by chariot. [1] The stylistic elements and thematic content are highly typical to those of other spirituals. The song is characterized by its use of repetition as a key poetic element, powerful imagery, personal rhetoric, and potentially coded ...