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A fanzine (blend of fan and magazine or -zine) is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon (such as a literary or musical genre) for the pleasure of others who share their interest.
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Damage - officially Damage: An Inventory - was a punk fanzine from San Francisco, California. There were 13 issues, from July 1979 to June 1981, appearing roughly every two months. It was printed on 11-1/2 x 17-3/4″ newsprint. Issues were generally 36 to 48 pages long. Its editor was Brad Lapin.
A fan magazine is a commercially written and published magazine intended for the amusement of fans of the popular culture subject matter that it covers. It is distinguished from a scholarly, literary or trade magazine on the one hand, by the target audience of its contents, and from a fanzine on the other, by the commercial and for-profit nature of its production and distribution.
The concept of the video magazine began in the 1980s with low-budget titles such as Flipside Video Fanzine, an adjoining video supplement to the punk fanzine Flipside. [1] By the beginning of the 1990s, the concept had fully cohered and a number of titles were produced by major media organizations in both the United States and Britain.
Rocket's Blast Comicollector (RBCC) was a comics advertising fanzine published from 1964 to 1983. The result of a merger with a similar publication, RBCC's purpose was to bring fans together for the purpose of adding to their comic book collections.
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A science-fiction fanzine is an amateur or semi-professional magazine published by members of science-fiction fandom, from the 1930s to the present day.They were one of the earliest forms of fanzine, within one of which the term "fanzine" was coined, and at one time constituted the primary type of science-fictional fannish activity ("fanac").