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A fanzine (blend of fan and magazine or -zine) is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon (such as a literary or musical genre) for the pleasure of others who share their interest.
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Damage - officially Damage: An Inventory - was a punk fanzine from San Francisco, California. There were 13 issues, from July 1979 to June 1981, appearing roughly every two months. It was printed on 11-1/2 x 17-3/4″ newsprint. Issues were generally 36 to 48 pages long. Its editor was Brad Lapin.
Flipside, known as Los Angeles Flipside Fanzine, was a punk zine published in Whittier and Pasadena, California, from 1977 to 2002.The magazine was associated with its own record label, Flipside Records, releasing vinyl records and compact discs beginning in 1978.
Now form a band", [3] this drawing actually originally appeared in January 1977 in another fanzine Sideburns and was later reproduced in The Stranglers' fanzine Strangled. In 2000, Mark Perry published Sniffin' Glue: The Essential Punk Accessory , which is a compilation of all the issues of the fanzine with some new material written by him. [ 3 ]
A science-fiction fanzine is an amateur or semi-professional magazine published by members of science-fiction fandom, from the 1930s to the present day.They were one of the earliest forms of fanzine, within one of which the term "fanzine" was coined, and at one time constituted the primary type of science-fictional fannish activity ("fanac").
A fan magazine is a commercially written and published magazine intended for the amusement of fans of the popular culture subject matter that it covers. It is distinguished from a scholarly, literary or trade magazine on the one hand, by the target audience of its contents, and from a fanzine on the other, by the commercial and for-profit nature of its production and distribution.
Science Fiction Chronicle, founded in 1978, was initially a "department" oi Algol) and was spun off it as an independent magazine in 1979. [ 3 ] [ 4 ] It won a Hugo Award for Best Fanzine in 1974, in a tie with Richard E. Geis ' Science Fiction Review ; [ 5 ] and received five other nominations for the Hugo (1973, 1975, 1976, and 1981). [ 6 ]