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Psalm 112 is the 112th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD.Blessed is the man that feareth the LORD". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 111.
This Bible is based on the English 2013 revision of the New World Translation of the Holy Scriptures which was released at the 129th annual meeting of the Watch Tower Bible and Tract Society of Pennsylvania on October 5 and 6, 2013 in the Assembly Hall of Jehovah's Witnesses, Jersey City, New Jersey, U.S.A. [18] This revised edition in ...
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Beatus initial, f.4, start of Psalm 1 in the 10th-century Anglo-Saxon Ramsey Psalter Beatus vir takes up the whole page in the 9th-century Ludwig Psalter. The Tree of Jesse Beatus initial in the Gorleston Psalter, c. 1310, bordered by the royal arms of England and France (fol. 8r)
The Book of Psalms (/ s ɑː (l) m z /, US also / s ɔː (l) m z /; [1] Biblical Hebrew: תְּהִלִּים , romanized: Tehillīm, lit. 'praises'; Ancient Greek: Ψαλμός, romanized: Psalmós; Latin: Liber Psalmorum; Arabic: زَبُورُ, romanized: Zabūr), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called Ketuvim ('Writings ...
The unknown writer of this psalm praises the deeds of righteous men and claims that evil men will be destroyed. People: יהוה YHVH Related Articles: Psalm 1 - Blessing - Sin - Torah - Meditation - Divine judgment - Righteousness
Liber Orationum Psalmographus (LOP), subtitled The Psalter Collects of the Ancient Hispanic Rite (that is Mozarabic Rite) – recomposition and critical edition, [1] is a unique edition of 591 so-called prayers on psalms or psalm-prayers rendered from Latin orationes super psalmos or orationes psalmicae respectively.
Bruckner's Psalm 112 in B-flat major is a composition scored for SSAATTBB choir and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani and strings). [6] The setting of the work is in four parts: