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A refectory table is a highly elongated table [1] used originally for dining in monasteries during Medieval times. In the Late Middle Ages, the table gradually became a banqueting or feasting table in castles and other noble residences. The original table manufacture was by hand and created of oak or walnut; the design is based on a trestle style.
The Italian Renaissance painter Domenico Ghirlandaio painted the Last Supper of Jesus three times in separate fresco paintings in or near Florence. The oldest of the three is located in the Badia di Passignano (1476). The next painting is the most famous one, painted in the refectory of the Convent of the Ognissanti (1480).
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The refectory of Santa Maria delle Grazie sits in a low-lying part of the city, prone to flooding and damp. [12] The surface on which Leonardo painted is an exterior wall and would have absorbed moisture. [12] The painting was also exposed to the steam and smoke from the convent's kitchen and from candles used in the refectory itself. [12]
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany.
Results of the Allied raid in 1943. During World War II, on the night of 15 August 1943, an allied aerial bombardment hit the church and the convent. Much of the refectory was destroyed, but some walls survived, including the one that holds The Last Supper, which had been sand-bagged in order to protect it.
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