Search results
Results From The WOW.Com Content Network
Corsair expanded its DRAM memory module production into the high end market for overclocking. [8] This expansion allows for high power platforms and the ability to get more performance out of the CPU and RAM. The Corsair Vengeance Pro series and Corsair Dominator Platinum series are built for overclocking applications. [9] [10] [11]
The internal electronic circuitry of an active noise-canceling mic attempts to subtract noise signal from the primary microphone. The circuit may employ passive or active noise canceling techniques to filter out the noise, producing an output signal that has a lower noise floor and a higher signal-to-noise ratio .
Line out provides an audio signal output and line in receives a signal input. The line in/out connections on consumer-oriented audio equipment are typically unbalanced , with a 3.5 mm (0.14 inch, but commonly called "eighth inch") 3-conductor TRS minijack connector providing ground, left channel, and right channel, or stereo RCA jacks .
The position of the pop filter is different in different recording situations, with a further position from the microphone causing fewer pop sounds. More distance means increasing the microphone gain and gaining more room noise. Normally, to get good quality, the pop filter should be placed about 2–6 inches (5–15 cm) away from the ...
She resumed her speech, but moments later the microphone cut out again. The crowd chanted: “Let her speak.” After the second interruption, the microphone continued working and Ms Ali completed ...
Block diagram of the signal-flow for a common feedback loop [1]: 118 . Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).
As such, a microphone is much more likely to feedback through the monitor loudspeakers than the main PA. Ringing out can become quite complex when working with a large number of microphones and monitors. Indeed, with larger touring acts, one of the major advantages of using in-ear monitors is the minimal ringing out that needs to be done.
Sound calibrators are used in an identical way to pistonphones, providing a known sound pressure field in a cavity to which a test microphone is coupled. Sound calibrators are different from pistonphones in that they work electronically and use a low-impedance (electrodynamic) source to yield a high degree of volume independent operation.