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Lei was originally an object form of ella, which in turn referred to an honorific of the feminine gender such as la magnificenza tua/vostra ('Your Magnificence') or Vossignoria ('Your Lordship'), [18] and by analogy, Loro came to be used as the formal plural. Previously, and in some Italian regions today (e.g. Campania), voi was used as the ...
However, the plural permits consonant weakening: [i haːni] 'the dogs'. As in Italian, the masculine singular lo occurs before consonants long by nature or not permitting /l/ in clusters (lo zio 'the uncle', lo studente 'the student'), but forms such as i zio can be heard in rustic varieties.
Italian verbs have a high degree of inflection, the majority of which follows one of three common patterns of conjugation. Italian conjugation is affected by mood, person, tense, number, aspect and occasionally gender. The three classes of verbs (patterns of conjugation) are distinguished by the endings of the infinitive form of the verb:
On the contrary, masculine plural is generally derived from Latin second declension nominative -i; this suffix eventually drops or gives rise to palatalisation or metaphonesis; some concrete realisations are: -li > -lj > -gl > -j-ni > -nj > -gn-ti > -tj > -cc; Metaphonesis (in regression) : orti > öört; Neutralisation: -i > -∅
The accusative theory proposes that Italian -e derives from -as. One piece of evidence is that in Italian, masculine amico has plural amici with /tʃ/ (the expected palatal outcome before -Ī), but feminine amica has plural amiche, with /k/ that is unexpected if e < -AE, but expected if e < -ĀS.
The clitic subject pronoun (te, el/ła, i/łe) is used with the 2nd and 3rd person singular, and with the 3rd person plural.This feature may have arisen as a compensation for the fact that the 2nd- and 3rd-person inflections for most verbs, which are still distinct in Italian and many other Romance languages, are identical in Venetian.