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Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Pages in category "Landscape paintings" The following 200 pages are in this category, out of approximately 369 total. ... Landscape painting in Scotland;
Pages in category "Landscape painting" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. ...
The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious. Gold ground paintings had no painted backgrounds and other narrative scenes had highly stylized trees and ...
Banditti in a Landscape is an 1804 landscape painting by the French-born British artist Philip James de Loutherbourg. [1] [2] It depicts a group of banditti against a stormy background with a ruined castle prominent in the distance. The outlaws are shown resting and drinking with their womenfolk and children. [3]
This is a list of works by Frederic Edwin Church (1826–1900), an American landscape painter who was part of the Hudson River School. Church's paintings were inspired by his travels, including Africa, Europe, the Middle East, South America, and North America. [ 1 ]
The Icebergs is an 1861 oil painting by the American landscape artist Frederic Edwin Church. It was inspired by his 1859 voyage to the North Atlantic around Newfoundland and Labrador . Considered one of Church's "Great Pictures"—measuring 1.64 by 2.85 metres (5.4 by 9.4 feet) [ 1 ] —the painting depicts one or more icebergs in the afternoon ...
The first shigajiku, Newly Risen Moon over a Brushwood Gate, follows “the classic formulation of the relation between poetry and painting developed by Su Shih and his circle, which we have seen also was a crucial factor in the rise of the earliest Japanese poem-and-painting scrolls around.” [26] Poem-and-painting scrolls were intended, from ...