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Manufacturers produce reeds in different strengths, indicated by a number (most commonly 2, 2.5, 3, 3.5, 4, 4.5, and 5). [9] The strength is determined by a machine that presses against the vamp (the part that includes the tip and the "heart" just behind the tip) of the reed and determines how stiff the reed is.
The 56 rue Lepic reeds (black packaging) are named after the address of the Vandoren central offices on 56 rue Lepic, Paris. They differ from the other two types of Vandoren reeds in that they come from the thickest cane. At the tip, 56 rue Lepic reeds have a thickness of .11 mm and at the heel, they have a thickness of 3.25 mm.
Mouthpieces with a large, rounded chamber will produce a quite different sound from one with a small or square chamber. Parts of a woodwind mouthpiece. The distance between the tip of the mouthpiece and the tip of the reed is known as the tip opening. The tip opening has little effect on tone, which is more affected by the design of the ...
Another version has one "sharp" reed directly above its "natural" on the lower plate, with the same number of reeds on both plates (therefore including E ♯ and B ♯). Horn harmonicas are available in several pitch ranges, with the lowest pitched starting two octaves below middle C and the highest beginning on middle C itself; they usually ...
Each mouthpiece company uses a different labeling system. A larger number can mean a larger or smaller mouthpiece depending on the company. Likewise, the letters mean different things depending on the company. Even if companies appear to share marking systems it may be that same-marked mouthpieces from different manufacturers are different ...
The mouth organ can be found all around the world and is known by many different names and seen in many different traditions. The most notable variations include the harmonica , and Asian free reed wind instruments consisting of a number of bamboo pipes of varying lengths fixed into a wind chest; these include the sheng , khaen , lusheng , yu ...
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The design of the mouthpiece (chamber, facing, tip opening) and reed strength; The design of the instrument, perhaps including the material of which it is made (e.g. brass or other metal, lacquer) The note being played and the acoustic properties of that note. Some notes of the same pitch will vary in tone depending on the fingering used. [4] [5]