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Hephaestus (UK: / h ɪ ˈ f iː s t ə s / hif-EE-stəs, US: / h ɪ ˈ f ɛ s t ə s / hif-EST-əs; eight spellings; Greek: Ἥφαιστος, translit. Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. [1]
Through his identification with the Hephaestus of Greek mythology, Vulcan came to be considered as the manufacturer of art, arms, iron, jewelry, and armor for various gods and heroes, including the lightning bolts of Jupiter. He was the son of Jupiter and Juno, and the husband of Maia and Aphrodite (Venus).
Erichthonius (son of Hephaestus) In Greek mythology, King Erichthonius (/ ərɪkˈθoʊniəs /; Ancient Greek: Ἐριχθόνιος, romanized: Erikhthónios) was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous (born of the soil, or Earth) and adopted or raised by the goddess Athena. Early Greek texts ...
The shield's design as interpreted by Angelo Monticelli, from Le Costume Ancien ou Moderne, ca. 1820. The shield of Achilles is the shield that Achilles uses in his fight with Hector, famously described in a passage in Book 18, lines 478–608 of Homer 's Iliad. The intricately detailed imagery on the shield has inspired many different ...
Charis (mythology) Charis (center), with Thetis and Hephaestus (labelled as Vulcan), in a 1795 engraving after a 1793 drawing by John Flaxman. Charis (/ ˈkærɪs /; Ancient Greek: Χάρις "grace, beauty, and life") is a goddess in Greek mythology. Her name is the singular form of the group called the Charites (Ancient Greek: Χάριτες ...
Pandora by John William Waterhouse, 1896. In Greek mythology, Pandora (Greek: Πανδώρα, derived from πᾶν, pān, i.e. "all" and δῶρον, dōron, i.e. "gift", thus "the all-endowed", "all-gifted" or "all-giving") [1] was the first human woman created by Hephaestus on the instructions of Zeus. [2][3] As Hesiod related it, each god ...
Hephaestus was the patron god of metal working, craftsmanship, and fire. There were numerous potters' workshops and metal-working shops in the vicinity of the temple, as befits the temple's honoree. There were numerous potters' workshops and metal-working shops in the vicinity of the temple, as befits the temple's honoree.
By the Classical period, the races were run by ephebes also in honour of Hephaestus and Athena. [51] Prometheus' association with fire is the key to his religious significance [45] and to the alignment with Athena and Hephaestus that was specific to Athens and its "unique degree of cultic emphasis" on honouring technology. [52]