Search results
Results From The WOW.Com Content Network
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Dearest Christian, I'm So Very Sorry for Bringing You Here. Love, Dad is the fourth studio album by American musical duo P.M. Dawn. It was released on October 6, 1998, by Gee Street and V2 Records. [6] The album's title refers to bandmember Attrell Cordes' newborn son, named Christian.
Bring the Family is the eighth studio album from American singer-songwriter John Hiatt. It was his first album to chart on the Billboard 200, and featured his first single entry on the mainstream rock chart with "Thank You Girl". It features Ry Cooder on guitar, Nick Lowe on bass guitar and Jim Keltner on drums.
From a page move: This is a redirect from a page that has been moved (renamed).This page was kept as a redirect to avoid breaking links, both internal and external, that may have been made to the old page name.
"Bringing on Back the Good Times" is a song by The Love Affair. The song was released internationally in early July 1969. The song was released internationally in early July 1969. It became a Top 10 hit in the United Kingdom, [ 1 ] New Zealand [ 2 ] and Israel and was also a minor hit in Canada [ 3 ] for 'Fast Eddy' in 1971.
Back on Track is a gospel-oriented 1991 album by the DeBarge Family including two members of the soul music group DeBarge, released on Truth Ministries.The album consisted of contributions from various members of the DeBarge family.
The song is an appeal for peace and brotherhood, presenting the polarity of love versus fear, and the choice to be made between them. It is best remembered for the impassioned plea in the lines of its refrain ("Come on people now/Smile on your brother/Everybody get together/Try to love one another right now"), which is repeated several times in succession to bring the song to its conclusion.