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Since the premiere of NBC Saturday Night at the Movies in September 1961, post-1948 major studio feature films gained a dominant foothold in primetime American TV and, by the mid-1960s, feature films were being broadcast by all three networks in prime time on a nearly-daily basis. Although many of those films were in black-and-white, the ones ...
Lost Continent is a 1951 American black-and-white science fiction film drama from Lippert Pictures, produced by Jack Leewood, Robert L. Lippert, and Sigmund Neufeld, directed by Sam Newfield (Sigmund Neufeld's brother), that stars Cesar Romero, Hillary Brooke, Whit Bissell, [1] Sid Melton, Hugh Beaumont and John Hoyt.
Jigsaw is a 1962 British black and white crime film directed by Val Guest and starring Jack Warner and Ronald Lewis. [1] The screenplay was by Guest based on the 1959 police procedural novel Sleep Long, My Love by Hillary Waugh, [2] with the setting changed from the fictional small town of Stockford, Connecticut, [n 1] to Brighton, Sussex, while retaining the names and basic natures of its two ...
No Way Out is a 1950 American crime drama film noir [4] directed by Joseph L. Mankiewicz and starring Sidney Poitier in his film debut, alongside Richard Widmark, Linda Darnell and Stephen McNally.
The team attempts to free it from the ice with thermite, but a violent reaction with the craft's metal alloy completely destroys it. Their Geiger counter, however, detects something buried nearby, a frozen body. It is excavated intact in a large block of ice and flown back to the base as an Arctic storm closes in on them.
The following is a list of films and other media in which Betty Boop has appeared. She was featured in 126 theatrical cartoons between 1930 and 1939 (89 in her own series and 37 in the Talkartoons, Screen Songs and Color Classics series).
The Weapon is a 1956 black and white British thriller film directed by Val Guest and starring Steve Cochran, Lizabeth Scott, Herbert Marshall, and Nicole Maurey. [1] It was made by Republic Pictures.
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.