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Within the Roman Catholic Church, the sign of the cross is a sacramental, which the Church defines as "sacred signs which bear a resemblance to the sacraments"; that "signify effects, particularly of a spiritual nature, which are obtained through the intercession of the Church"; and that "always include a prayer, often accompanied by a specific ...
The song's title refers to John of Patmos in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events . In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals .
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
Organ music would play a large role in Lutheran music later on. Luther said that music ought to be “accorded the greatest honour and a place next to theology” due to its great importance. [20] During the Reformation, Luther did much to encourage the composition and publication of hymns, and wrote numerous worship songs in German. [21]
John Willard Peterson (November 1, 1921 – September 20, 2006) was a songwriter who had a major influence on evangelical Christian music in the 1950s through the 1970s. He wrote over 1000 songs, and 35 cantatas .
John Redmond (February 25, 1906 – August 26, 1982) [1] was an American songwriter. He was born John Redmond Lynskey and grew up in Clinton, Massachusetts. Among his better known songs was " Christmas in Killarney " (copyrighted 1950), co-written with James Cavanaugh and Frank Weldon .
Julian, John (June 1907). A dictionary of hymnology : setting forth the origin and history of Christian hymns of all ages and nations. London: John Murray. pp. 151. ISBN 978-0-8490-1719-3. Bailey, Albert Edward (1950). The Gospel in Hymns. New York: Charles Scribner's sons. pp. 436–437. ISBN 978-0-684-15554-8. Village Site, No Author listed.
Apart from its obvious martial associations, the song has been associated with protest against the established order, particularly in the case of the civil rights movement. [ 10 ] An attempt was made in the 1980s to strip "Onward, Christian Soldiers" from the United Methodist Hymnal and the Episcopal Hymnal 1982 due to perceived militarism.