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Digital Audio Control Protocol (DACP) is a protocol used by iTunes and other audio player and server applications on Mac, Windows and Linux computers, enabling remote control by mobile devices such as iPhone and Android phones and tablet computers. By connecting the personal computer to loudspeakers the mobile device is used as a two-way remote ...
For instance, you won’t see buttons for “record” or “last channel.” You’ll use the “wheel” in the center of the remote to navigate the screen , with the center button acting as ...
Remote Audio Output Protocol (RAOP) is an Internet streaming protocol based on RTSP / RTP authored by Apple Inc. [1] [2] It powers the AirPlay technology built into AirPort Express wireless (802.11b/g/n) access point as well as the Apple TV.
The Roku Streaming Stick 4K [39] was announced along with the Roku Streaming Stick 4K+ which includes an upgraded rechargeable Roku Voice Remote Pro with lost remote finder. [40] Roku announced an updated Roku Ultra LT with a faster processor, stronger Wi-Fi and Dolby Vision as well as Bluetooth audio streaming and built-in Ethernet support. [41]
A remote truck and its interiors, 1970. Remote recording, also known as location recording, is the act of making a high-quality complex audio recording of a live concert performance, or any other location recording that uses multitrack recording techniques outside of a recording studio. [1]
1991: Alesis Digital Audio Tape is a tape format used for simultaneously recording eight tracks of digital audio at once, onto Super VHS magnetic tape – a format similar to that used by consumer VCRs. The product was announced in January 1991 at the NAMM Show. The first ADAT recorders shipped over a year later in February or March 1992. [52]
Magnetic tape was commonly used to create master copies.. Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).
The sound film had four double-width optical soundtracks, three for left, center, and right audio—and a fourth as a control track with three recorded tones that controlled the playback volume of the three audio channels. Because of the complex equipment this system required, Disney exhibited the movie as a roadshow, and only in the United States.