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The Portrait of Doge Leonardo Loredan (Italian: Ritratto del doge Leonardo Loredan) is a painting by Italian Renaissance master Giovanni Bellini, dating from c. 1501–02. It portrays Leonardo Loredan , the Doge of Venice from 1501 to 1521, in his ceremonial garments with the corno ducale worn over a linen cap, and is signed IOANNES BELLINVS on ...
Il Paradiso is a massive (22 x 9 metres) oil painting on canvas that dominates the main hall of the Doge's Palace, which hosted the Great Council of Venice. It is one of the largest paintings on canvas in the world and was painted by Jacopo Robusti, known more commonly as Tintoretto . [ 1 ]
The Doge's Palace Seen from San Giorgio Maggiore (in French: Le Palais Ducal vu de Saint-Georges Majeur) is a 1908 painting by Claude Monet that resides in the collection of the Metropolitan Museum of Art. [1] The painting, catalogued W1755 in the Wildenstein catalogue raisonné, is
The Portrait of Doge Leonardo Loredan is a painting by the Italian Renaissance master Vittore Carpaccio, a painter of the Venetian School and student of Gentile Bellini. The latter also painted a portrait of Doge Leonardo Loredan. [1] It was most likely painted around 1501/02, at the beginning of Loredan's reign. [2]
Portrait of Doge Andrea Gritti is an oil painting by the Venetian master Titian, painted in the late 1540s, which is part of the collection of the National Gallery of Art in Washington, D.C. It is a portrait of Andrea Gritti , who was doge of Venice from 1523 to his death in 1538.
Famous Artists Who Shaped the World of Art Visionaries continuously influence our world, and the following creative geniuses are some of the most renowned artists to have ever lived. #1 Leonardo ...
The crowning production of Tintoretto's life was the vast Paradise painted for the Doge's Palace, in size 9.1 by 22.6 metres (29.9 by 74.1 feet), reputed to be the largest painting ever done upon canvas. While the commission for this huge work was yet pending and unassigned Tintoretto was wont to tell the senators that he had prayed to God that ...
The portrait depicts the doge Giovanni Mocenigo, wearing the official clothes of his office: the doge's Corno ducale and the gold cloth embroidered in relief. The doge is represented in profile and stands out against a gold background, which has a strong symbolic value that underlines the customs and iconographic tangencies between Venice and the Byzantine artistic world of Constantinople.