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This is a list of piano trios by Joseph Haydn, including the chronological number assigned by H. C. Robbins Landon and the number they are given in Anthony van Hoboken's catalogue of his works. (Hoboken's listings of Haydn compositions are divided by musical genre, and the piano trios as a category are grouped under the Roman numeral prefix XV.)
Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D
Piano Trio No. 19 F major 1784–85 violin, cello, keyboard XV:7 Piano Trio No. 20 D major 1784–85 violin, cello, keyboard XV:8 Piano Trio No. 21 B ♭ major 1784–85 violin, cello, keyboard XV:9 Piano Trio No. 22 A major 1785 violin, cello, keyboard XV:10 Piano Trio No. 23 E ♭ major 1785 violin, cello, keyboard XV:11 Piano Trio No. 24 E ...
Piano Trio No. 43 (Haydn) Piano Trio No. 44 (Haydn) Piano Trio No. 45 (Haydn) * List of piano trios by Joseph Haydn This page was last edited on 27 February 2024 ...
Catalogues of composers' works typically follow either a chronological arrangement (sorting by date of composition) or a sorting by musical genre. [2] Hoboken's catalogue is of the latter type; thus the symphonies, for example, are in category I, all string quartets are in category III, piano sonatas are in category XVI, and so on.
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His recorded repertoire runs from Haydn, whose complete piano trios he has recorded, to the romantic era, with recordings of Chopin, Field and their lesser-known contemporaries. He recently completed an eight-year project recording the complete keyboard works of Mozart, a collection which includes many pieces hitherto unrecorded. The ...
Joseph Haydn's Piano Trio No. 40 in F ♯ minor, Hob. XV:26, was completed during the final few weeks of Haydn's second trip to London, and one of a set of three (H. XV:24–26) dedicated to Rebecca Schroeter. [1] With its unusual key, this piano trio has been described by Robert Philip as "subtle and shifting in its moods". [2]