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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
His design for a Pavilion of the African Diaspora (PoAD) won the Best Design Medal at the London Design Biennale at Somerset House in June 2021. [ 47 ] [ 48 ] In the same year, the Metropolitan Museum of Art (MET) [ 49 ] in New York acquired his "Orion" table, "Atlas" chair and "Vernus 3" chandelier for its Afrofuturist Period Room .
Afrocentrism is a worldview that is centered on the history of people of African descent or a view that favors it over non-African civilizations. [1] It is in some respects a response to Eurocentric attitudes about African people and their historical contributions.
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
Midas Chanawe outlined in his historical survey of the development of Afrocentricity how experiences of the trans-Atlantic slave trade, Middle Passage, and legal prohibition of literacy, shared by enslaved African-Americans, followed by the experience of dual cultures (e.g., Africanisms, Americanisms), resulted in some African-Americans re-exploring their African cultural heritage rather than ...
In African Art in Motion, African art scholar and Yale professor Robert Farris Thompson turns his attention to cool in both the African and African-American contexts: . The mind of an elder within the body of the young is suggested by the striking African custom of dancing "hot" with a "cool" unsmiling face.