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Bust of an old bearded man, looking down, three-quarters right: 1631 B263: 4: Bearded man, in a furred oriental cap and robe [The artist's father?] 1631 B315: 2: Old man with a flowing beard: bust: 1631 B348: 3: The artist's mother seated, in an oriental headdress: half-length: 1631 B349: 2: The artist's mother with her hand on her chest: small ...
Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm: Private collection, New York: Signed with the monogram RHL and dated 1631 Old Man Seated in an Armchair: 1631: Red chalk, frame line ...
Man and Woman Seen from the Back: September 1882 Van Gogh Museum, Amsterdam The Hague F 991 JH 233 Boy with Spade: October 1882 Unknown The Hague F 986 JH 231 Worn Out: November 1882 Van Gogh Museum, Amsterdam [2] The Hague F 997 JH 267 Old Man with his Head in his Hands, Half-Figure: 24 November 1882 Kröller-Müller Museum, Otterlo [3] The ...
The One-eyed Man is a portrait of a patient at the Saint-Paul asylum in Saint-Rémy. Van Gogh used sweeping brushstrokes in the painting made with green in the background, the man's coat and touches in his face. In the hospital Van Gogh found that in the presence of other patients he became more calm about his mental state.
Bearded Man with a Beret is a 1630 oil-on-panel painting by the Dutch artist Jan Lievens. Its dimensions are 53.5 cm × 46.3 cm (21.1 in × 18.2 in). [1] The painting is of an old man who is looking up to his right. His lips are parted as if he has been interrupted while speaking.
Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. [2] [3] The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.
On July 14, 2022, an almost certainly authentic self-portrait of van Gogh was uncovered under his 1885 painting "Head of a peasant woman". [2] Lesley Stevenson, a conservator at the Scottish National Gallery of Modern Art, discovered it during an X-ray examination of their existing pieces.
The work has been compared to the description of the artist's appearance in old age in Vasari's Lives of the Artists as "delicate and gentle, with long and battered beard and hair, almost a saviour, different from what had been". Its attribution to Parmigianino is almost unanimous among art historians and is upheld by Fagiolo dell'Arco (1970 ...